Bruce Lee is made up of eight paintings whose sources are drawn from a scrapbook comprised of more than 20,000 images.

Harsh Patel's (1981, Nairobi) projects include Sister and Zulu, which are difficult to pin down but involve mail, publishing, multiples, relationships, and conceptual intimacy. Mr. Patel's evolving practice is invested in the notion of impermanent iconographies, but the resultant materials – tapes, books, objects, interventions, etc. – only begin to coalesce when the viewer agrees to a tacit engagement in someone's version of a personal history. That much we know. Text by Diana Kim