Peinado could be described as a disc jockey with his continue use of samplers: smileys, disco balls, surf and skateboards, Tetris or Rubik's cube blocks and such are recurrent images in his works. His bootleg-session type of proposals also references pop, minimalist and suprematism art. By twisting these now-iconic images through juxtaposition, they become parts of something new, making a kind of a complex organic system, a parallel world within the exhibition space, rather like a snow globe shaken by artificial weather in a self-contained landscape. Peinado's multidirectional works comment on each other, much as pop culture does with itself, and even the simplest sculpture or image may hold a wide variety of meanings in his hands.